Tours | Categories (New, Hot) | Map
Alcohol - Ancient - Animal - Architecture - Art - Aviation - Boxing - Celebrity - Charity - Children - Church - Cinema - Comedy - Crime - Dance - Death - Disaster - Drugs - Fashion - Food - Gambling - Ghost - Grave - Health - Historical - Industry - Justice - LGBT - Literary - Look Up - Medical - Military - Motoring - Murder - Museum - Music - Nature - Naval - Paranormal - Pioneer - Poetry - Police - Politics - Pub - Public Amenities - Quirky - Religion - Retail - Ripper - River - Royalty - Science - Sculpture - Sex - Signs - Society - Sport - Subterranean - Technology - Theatre - Train - Transport - Tube - TV - Weather -
IN THE NEWS
TOUR OF THE MONTH
ON THIS DAY IN LONDON
23rd March 1933 Born today: Geoffrey Leigh, CEO (Allied London Properties)
23rd March 1905 Born today: Ralph Perring, Lord Mayor (London)
23rd March 1889 The free Woolwich ferry service was launched by Sir Joseph Bazalgette.
23rd March 1861 London's 1st tramcars, designed by Mr Train of NY, begins operating
23rd March 1743 George Frideric Handel's oratorio Messiah premieres in London
23rd March 1729 Celebrated satirical painter William Hogarth married Jane Thornhill, daughter of artist Sir James Thornhill.
Francis Bacon's Studio
This is the studio that artist Francis Bacon made home.
Location: 7 Reece Mews, South Kensington, SW7 3HE
Description: One of the 20th century's great artists, Francis Bacon (1909-1992), moved here in October 1961 after a decade of painting in numerous places.
The moment I saw this place I knew that I could work here, enthused Bacon. Indeed it was here that he painted some of his most celebrated works including Three Studies for a Crucifixion (1962) and Portrait of George Dyer Talking (1966).
The studio was on the first floor and bacon had a sky light put in and while painting he rarely emptied the place preferring the mess of chaos aided his inspiration, the studio itself became almost as iconic as his work.
He remained secretive about his methods and protective about his studio space, rarely allowing observers. Indeed, it was only after his death and the removal of the space to Dublin that it could be studied.